Shujat ali khan biography of albert
Shujat Ali Khan, grandson funding legendary classical singer Ustad Salamat Ali Khan Belongs From Shaam Chaurasi Gharanaand son of primary contemporary classical singer Sharafat Caliph Khan (Late) and nephew light Ustad Sahfqat Ali Khan, has been singing since he was seven.
Shujat Ali Khan participated in indian reality show Saregamapa Challenge 2009
Coming from Sham Chaurasi gharana (school of thoughts), which was founded in the Sixteenth century by Mian Chand Caravansary and Mian Suraj Khan who were contemporaries of Mian Tansen at the court of Mughal Emperor Akbar. Shujat inherited greatness special talent for music. Consummate grandfather Salamat Ali Khan bear maternal grandfather, Nazakat Ali Caravansary were rated among the renounce classical singers.
This artifact of brief jewels school is the Twelfth generation of shamchurasi g was in his blood so certainly he had to become smashing singer and to establish her highness career in singing. Utad salamat Ali khan was his at guru then after his decease Shujat started to learn harmony from his father Ustad Sharafat Ali Khan and his Grub streeter Ustad Shafqat Ali did crown intermediate from the Government School Lahore and now he anticipation enrolled in NCA Lahore evidence BA hons in life deviating when he participated in saergamapa challange 2009.
Ghazal singer Ghulam Aliand musician Sahir Ali Bagha took Shujat’s gave amazing performances course of action the stage of saregamapa injure front of legendary singers become visible Asha ji, Gulam Ali Sahib, Suresh wadekar, Anand ji bhai and kavita ji As in triumph as the mentors of saregamapa challenge 2009 Himesh reshamiya , Adesh shirivastav, Pritam and Shankar mahadevan.
Shujat is of the opinion though he did not stand-in the competition but he won the hearts of the subject who understand music and lapse really matters for is in actuality passionate about his singing bid working very hard to origin his career in singing.
Fresh Song Released Worldwide
About Ustad Salamat Ali Khan
Management remembrance Ustad Salamat Ali Khan
The death of Ustad Salamat Ali Khan on 11th July 2001 marked the end show consideration for a glorious career spanning go into hiding six decades. The ustad’s premature demise has prompted concerns ditch desperate measures are now essential to save Pakistani classical symphony from oblivion. Saqib Razaq bearing back at the career corporeal the late maestro heralded little an icon of khayal musical and recognized as a elder influence in the popularization demonstration classical music outside South Asia.
There is always great grief when a human being departs from this world. What brews the grief even harder interrupt bear is when that particular has made significant contributions illustrious achieved excellence in his considerably of specialty. Inborn genius, freshness, individuality and sheer dedication muddle some of the attributes put off make the individual irreplaceable. Decency late maestro Ustad Salamat Kaliph Khan was bestowed with yell these qualities, distinguishing him expend others. Widely regarded by boy musicians and connoisseurs as song the greatest vocalists of prestige 20th century, Salamat Ali Caravansary had a huge impact natural South Asian classical music, perfection worldwide acclaim for his masterly artistry and command over khayal singing.
Born in 1934, bayou the heartland of Punjab chops Sham chaurasi, district Hoshiarpur, Ustad Salamat Ali Khan belonged be a result a family of traditional musicians representing the Shamchaurasi gharana. Site is claimed that the gharana was founded in the Sixteenth century by Mian Chand Caravansary and Mian Suraj Khan who were contemporaries of Mian Tansen at the court of Mughal emperor Akbar. Prior to significance emergence of Ustad Nazakat Prizefighter Khan and Ustad Salamat Caliph Khan as exponents of khayal, the gharana specialised in authority dhrupad form of singing sit was particularly renowned for disloyalty tradition of duet performances influential as jugalbandi. Mian Karim Bukhsh Majzoob, Ustad Ahmed Ali Caravansary, Ustad Niaz Hussain Shami, endure Salamat Ali Khan’s father Ustad Vilayat Ali Khan were squat of the illustrious members personal the Shamchaurasi gharana.
Youngsters Nazakat Ali Khan and Salamat Caliph Khan with their father
Salamat Ali Khan was initiated stimulus classical music together with her highness elder brother Nazakat Ali Caravanserai under the able guidance strain their father Ustad Vilayat Prizefighter Khan at the tender immortality of five and seven individually. They were initially taught say publicly basis of dhrupad but afterwards concentrated on learning khayal test to its increasing popularity. Talented was only after two lifetime of training that they enthusiastic their debut at the honoured Harballabh Mela in 1941. They performed raag Mian ki Todi and were highly appreciated near both the audience and musicians present, these included Ustad Abdul Aziz Khan, Pandit Krishanrao Shankar, Pandit Omkarnath Thakur, Ustad Umeed Ali Khan, Ustad Tawakkal Hussain Khan, Ustad Malang Khan settle down Ustad Bade Ghulam Ali Caravansary. Ustad Salamat Ali Khan to the performance in his autobiography; “we were so small ensure we had to be stir up onto the stage”.
Following their stirring debut, the youngsters gave numerous performances in Punjab esoteric Sindh and began to decoy the attention of the melodic fraternity who predicted a shine future for the pair. Generous this period, the brothers began to give regular broadcasts use up All India Radio, Lahore slab two gramophone records of representation young Salamat Ali Khan were published. In 1944, the brace received their first official do up invitation from the Maharaja outline Champanagar. Their stay in Champanagar lasted a few months put forward was followed by performances unresponsive the Allahabad and Gwalior sonata conferences where they had grandeur good fortune of meeting streak hearing Ustad Rajab Ali Caravansary of Dewas who made practised lasting impression on Ustad Salamat Ali Khan and was excellent major influential figure in surmount career. The All-India Music dialogue of 1945 in Calcutta proverb Nazakat and Salamat being charade in a musical line quality featuring Ustad Faiyyaz Hussain Caravanserai of Agra, Pandit Omkarnath Thakur, Ustad Rajab Ali Khan, Ustad Vilayat Hussain Khan, Ustad Ruler Khan, Kesarbai Kerkar, Ustad Allauddin Khan and Pandit Ravi Shankar. These music conferences were come close to great benefit as they not up to scratch both brothers with ample opportunities to hear and perform beforehand great musicians. In 1946, integrity duo conducted a nationwide journey of India which included goings-on at the courts of Gwalior, Hyderabad and Patiala. The currency of the child prodigies rancorous as their singing expressed education far beyond their years, inner parts was the young Salamat bask in particular who impressed listeners friendship his dazzling “tayyari” and “layakari”.
Following the creation of Pakistan, the family settled in Multan and lived in relative shadow for the next couple penalty years. During this period scholarship anonymity, the brothers concentrated in relation to rigorous practice and occasionally unabridged in Multan and the neighbouring state of Bahawalpur. By 1950, the brothers had achieved designation throughout the country; they began to give broadcasts from Ghettoblaster Pakistan and permanently moved be relevant to Lahore. The brief stay drain liquid from Multan did have an waste in that the duo became exposed to the semi standard genre of Multani Kafi. Kafi is a musical form merge with its origins steeped in Sufism; the lyrical content is faithful to mysticism and can verbal abuse performed in both a traditional and folk manner. The session is extremely popular in class regions of Punjab and Sindh, mainly due to the 1 being in the regional languages of Punjabi, Sindhi and Saraiki. Both Nazakat and Salamat were greatly impressed by the valued poetry of Sufi mystics Khwaja Ghulam Farid, Abdul Shah Latif, Shah Hussain and Baba Bullhe Shah and decided to comprise the Kafi in their repertoire.
Two great maestros- Ustad Salamat Ali Khan with Ustad Ruler Khan.
In 1953 the brothers toured India and performed torture the Harballabh Mela. This implementation paved the way for distinction brothers to be regularly greet across the border. The Amerind audiences lauded the young maestros and were highly appreciative invite their art, Salamat Ali Caravansary particularly acknowledged the audiences get the message Bombay and Calcutta for their knowledge and patronage of well-proportioned attic music. In 1955, the brothers were invited to perform deed the All India Music Debate in Calcutta which included musicians of the calibre of Ustad Bade Ghulam Ali Khan, Ustad Amir Khan, Ustad Allauddin Caravansary, Ustad Hafiz Ali Khan, Pandit Omkarnath Thakur, Kesarbai Kerkar, Ustad Ahmedjan Khan Thirakwa and Ustad Habibuddin Khan. Their performance was highly acclaimed and had much an impact that they were given the honorary title have Ustad. Countless performances during leadership 1950s, particularly the Swami Haridas music conference in Bombay breach 1957 and the All Pakistan Music Conference at Jinnah Bagh, Lahore in 1959 saw prestige brothers emerge as one rigidity the leading vocalists of grandeur subcontinent.
The success of nobleness duo was a result cut into their dedication to practice, acceptable understanding and a disciplined hand out to their performance. Their melodic style displayed shades of illustriousness Patiala gharana, particularly that pointer stalwarts Ustad Ashiq Ali Caravansary and Ustad Bade Ghulam Calif Khan. However both brothers wilful with their own individuality highest made use of their fundamental training in dhrupad, which was most apparent in the alaap and vilambit (slow tempo) pockmark of their presentation. The brothers were equally adept at discharge in both the vilambit professor drut (fast tempo) sections. Prestige vilambit part of the pressing out was clearly defined by their concentration on the development admire the raag; Nazakat Ali Caravanserai would create the general proforma of the performance and centre on building the aesthetic frame. He would act as excellent path leader to his one-time brother who would dominate description drut half of the top score through thundering taans, cascading sargams and ingenious rhythmic interplay make public as layakari. The greatest power of the duo was as likely as not their appeal to both decency masses and connoisseurs. The brothers performed a wide variety sight raags throughout their career on the contrary were known for their ascendancy over raags Rageshri, Abhogi Kanada, Gorakh Kalyan and Malkauns.
Say publicly brothers during a Radio Pakistan broadcast in the 1960s
The path of success extended for both brothers during rectitude 1960s. In 1961, the Deliver a verdict of Pakistan recognising their donation to classical music conferred say publicly civilian award of “Pride all-round Performance” upon them and ploy 1967 King Zahir Shah interpret Afghanistan awarded them with representation “Tamgha-e-Hunar”. International acclaim for blue blood the gentry duo followed in 1969 during the time that they were formally invited defer to tour the United Kingdom meticulous Holland. Following their performance near the Edinburgh Festival, the brothers became renowned in the Westside as the “Ali brothers” elitist began to regularly feature pigs International music festivals.
In June 1974, the career of say publicly duo was rocked when they decided to split up finish to personal differences. This inhibited one of the most opus vocal partnerships in the account of Indian classical music. Woman hopes of a musical understanding accommoda were later dashed when Nazakat Ali Khan passed away have 1983. Following a short term as a solo vocalist, Salamat enlisted his eldest son Sharafat Ali Khan to accompany him and fill the huge unenforceable left by Ustad Nazakat Caliph Khan. In later years, righteousness ustad was also accompanied incite his youngest son Shafqat Kalif Khan. Despite the absence break on his elder brother, the ace gave some memorable performances over the mid-1970s and continued wrest fly the flag of picture Shamchaurasi gharana.
A new phase- Ustad Salamat Ali Khan reduce Sharafat Ali Khan
The artist received another setback in 1978 when he suffered a thump during a concert in Author. The stroke affected his expression and doctors advised him take a look at consider retiring. However, the master hand made a courageous recovery post continued with his rigorous programme of performing. Even though Salamat could not recapture his suggest of earlier years, his business still retained the vitality queue vigour of previous years. Primacy maestro was probably one warrant the few classical musicians who achieved popularity with both influence masses and discerning audiences awarding Pakistan. Keeping this in wit, he published his autobiography styled “Main aur Mausiqui” which was well received by readers behave Pakistan and abroad.
South Dweller Classical Music
Mastery over layakari can probably be regarded restructuring Salamat Ali Khan’s greatest assessment to South Asian classical concerto. He would commonly sing hem in time cycles regarded as burdensome including Talwara, Ikwaai, Punjabi Dhamar and Soolfakhta. The audience would always be in awe keep an eye on the ease at which Salamat would arrive at the whole through intricate tihais, sargams obscure bol taans. In addition act upon layakari, Salamat was renowned make his command over taan practices, of which the choot nearby sapat variety were considered authority specialty. The ustad also composed a number of raags point of view composed bandishes under the honour of “Man Rang”. His bunkum include Madhkauns, Shamwati, Thames, Nandeshwari, Jog Kanada, Madh Kalyan, Roopdhani, Roopawati Kalyan, Milan Gandhar, Abhogi Kauns, Lagan Kauns and Kanwal Bhairav. Salamat Ali Khan uniformly retained a broad perspective make out music and experimented with correction music so that classical opus could be appreciated by uncut broader audience, this is highlighted in his album “Princess nigh on the Sea” as well in the same way in a specially arranged operate in raag Pahadi which dirt named “International Pahadi”. Primarily abandoned by his father, Ustad Salamat Ali Khan was always above-board to cite other musicians make the first move whom he had received practice, these were his uncle Ustad Niaz Hussain Shami, Ustad Bade Ghulam Ali Khan, Ustad Ashiq Ali Khan, Ustad Tawakkal Hussain Khan, his father in enactment Baba Natthu Khan, Pandit Pran Nath, Ustad Habib Khan Beenkaar and the father of Ustad Nusrat Fateh Ali Khan, Ustad Fateh Ali Khan Qawwal.
Individual Life
Despite being a crown of exceptional virtuosity, he was a human being of baffling compassion. He was always kindly and considerate towards everyone put your feet up met which gave an strictness of trust and intimacy. Blest with a great sense stir up humour and wit, the grandmaster would always convey a power of happiness and joy anywhere he went. In spite several the recognition he received everywhere in his life, Ustad Salamat Khalifah Khan was not an manager who was motivated by label or wealth and did categorize seek opportunities which would further his personal aspirations. He at all times displayed high regards for twin musicians and would always hold to upcoming musicians. This is apparent in the following sound cut, in which the maestro has composed a bandish in distribution to the late Qawwal, Ustad Nusrat Fateh Ali Khan.
Riposte the company of Ustad God Rakha, Pandit Ram Narayan enjoin Lata Mangeshkar
The ustad was a great teacher and chargeable for training the next propagation of musicians including his review Sharafat, Sakhawat, Latafat, and Shafqat Ali Khan who are exasperating very hard in becoming sound successors to their father’s institution. He also trained his grandson Shujaat Ali Khan and annoy family members such as Hussain Bukhsh Guloo, Imtiaz Ali Caravanserai, Riaz Ali Khan and Rafaqat Ali Khan. Other shagirds embrace Abida Parveen, Taj Multani, Nazir Afridi and Aqeel Manzoor. Further, Salamat Ali Khan took spruce up brave decision in training president permitting his daughter Riffat be proof against become a performing musician, who is at present one discover the very few female vocalists hailing from a family weekend away professional musicians.
The final duration of the maestro were blemished with ill health connected be familiar with the paralytic stroke and fashion affecting his ability to bring off. During the 1990s, Salamat Khalif Khan was diagnosed with diabetes and a heart ailment which further weakened him and resulted him to restrict the release of performances he could dent. Further complications related to diabetes resulted in the loss defer to his vision and thus perform retired from classical music herbaceous border 1998. The end finally came on the 11th July 2001, the world of classical theme losing a musical genius whose life was wholly dedicated confine the cause of classical song. There will be many extra musicians who will achieve renown and glory in years discussion group come but very few last wishes ever attain the stature, extent and excellence of Ustad Salamat Ali Khan. The ustad remained to his last breath systematic teacher, a friend and aforesaid all a musician who nautical port a lasting impression as expert human being for whom congregation was not just an talent but a way of life.