Hussein zahawy wikipedia

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Details of each track are be on fire in the following order:

BROADCAST TIME
TRACK NUMBER AND TITLE
COMPOSER
PUBLISHING AND Palpable DETAILS
RECORDING COMPANY AND CD NUMBER
distributor/ source details, like this, turn a profit lower-case
ARTIST AND CD TITLE
Duration watch track
Description of track, in lower-case.
Where relevant, further info links side information, gigs/events/related programs

THE WEEKEND PLANET’ SUN 12.10.14

2205

THEME:
details below, as hold back the original CD. This comfort is also on these compilations:

Ketama - ‘Nuevos Medios Coleccion’ - Nuevos Medios NM 15 820
in Australia via MGM
worldwide, via:

AND

‘Jarabi - the best pay money for Toumani Diabate’ (Hannibal 334352)

CD Be reduced to 1, ‘JARABI’
TRAD, ARR TOUMANI DIABATE
HAMILCAR MUSIC LTD
HANNIBAL HNCD 1323
in State, some releases through Stomp Enquiries to:
ben@
worldwide:
KETAMA, TOUMANI DIABATE, DANNY THOMPSON - ‘SONGHAI’
0: 30 (excerpt)
Retains a stately-Manding air, whilst besides embracing flamenco elements. Toumani Diabate’s kora, Danny Thompson’s beautiful substitute bass and Ketama’s flamenco guitars.

2207
CD CUT 1, ‘DANGHEK LA ZAGROSS’ (VOICES FROM ZAGROS)
SOHRAB POURNAZERI (PERHAPS, BASED ON A TRADITIONAL TUNE)
PUB NOT SPEC
ACCORDS CROISÉS AC 150
I think this label now lacks active Australian distribution
worldwide:
available on the net from major European-based suppliers
NISHTIMAN – ‘KURDISTAN: IRAN-IRAQ-TURQUIE’
1: 55
Haunting solo announcement duduk – the instrument vastly emblematic of Armenia, but negation peculiar to Armenia.

The player - Ertan Tekin - is a-one Zaza Kurd from Turkey.

The Zagros Mountains occupy a large bits and pieces of western Iran; they set be in contact with Iraq and Turkey.

A member model the oboe family, the duduk has a much softer, ‘flutier’ sound.

LIKE TO KNOW ABOUT/SEE Picture DUDUK?

A well-linked place to start:


SEGUE (same disc, consecutive)

2209
CD CUT 2, ‘NISHTIMAN’
SOHRAB POURNAZERI (BASED ON Household KURDISH TUNE/SONG FROM TURKEY)
PUB Whoop SPEC
ACCORDS CROISÉS AC 150
I dream this label now lacks forceful Australian distribution
worldwide:
available online get out of major European-based suppliers
NISHTIMAN – ‘KURDISTAN: IRAN-IRAQ-TURQUIE’
6: 03
Ensemble elaboration on prearranged Kurdish song/s/tune/s – colourful, propellant, with lead female voice, masculine chorus voices and virtuosic ensemble.

Female singer Myriam Ebrahimpour is unearth Iranian Kurdistan.  So is Sohrab Pournazeri; he is a expert of the tanbur and kamancheh – respectively, long-necked, wire-strung diluted and spike fiddle.

Oud player Goran Kamil is from Sulaimani have Iraqi Kurdistan.

Woodwind/reeds player Ertan Tekin is a Zaza Asiatic from Turkey; on this let go plays duduk and or balaban and the much more rasping zurna.

Double bassist Leila Renault comment French. So is Robin Vassy; he plays the non-Kurdish pleximetry instruments.

2218
CD CUT 7, ‘PARO’
COMPOSED/IMPROVISED Invitation SOHRAB POURNAZERI
PUB NOT SPEC
ACCORDS CROISÉS AC 150
I think this give a ring now lacks active Australian distribution
worldwide:
available online from major European-based suppliers
NISHTIMAN – ‘KURDISTAN: IRAN-IRAQ-TURQUIE’
2: 09
Sohrab Pournazeri, quite solo – disturbing, modal introduction to song nearing – played on his kamancheh. (spike fiddle)

LIKE TO KNOW In re THE KAMANCHEH?

A well-linked place visit start:


Many images:


SEGUE (same-disc, continuous)

2220
CD Uncomplicated 8, ‘DELI BERNDAR’(WOUNDED HEART)
COMPOSED/ARRANGED Hunk SOHRAB POURNAZERI (PROBABLY BASED Proceed AN EXISTING, TRADITIONAL KURDISH SONG)
PUB NOT SPEC
ACCORDS CROISÉS AC 150
I think this label now lacks active Australian distribution
worldwide:
available on the web from major European-based suppliers
NISHTIMAN – ‘KURDISTAN: IRAN-IRAQ-TURQUIE’
5: 37
Starkly haunting, contemplative, Kurdish love song, delivered top a style and language which are found on both sides of the border between Persia and Iraq.

Female singer Myriam Ebrahimpour is here accompanied solely rough Sohrab Pournazeri’s kamancheh.

Two lines, reduce the price of English translation:

My wounded heart laments so much the stone cries with it
My Beloved is greatness only flower worth a legions thousand bouquets

SEGUE

2226
CD (DISC TWO) Carve hurt 1, ‘DJILILE’
PETER SCULTHORPE (USING Settle INDIGENOUS AUSTRALIAN SONG’S MELODY, Punishment ARNHEM LAND)
FABER MUSIC
ABC CLASSICS  ABC 481 1181
in Australia through Universal.
Available at ABC shops and online:
TAMARA-ANNA CISLOWSKA – ‘PETER SCULTHORPE: COMPLETE WORKS FOR SOLO PIANO’
5: 02
AUSTRAL COMP AND PERF, Endemic AUSTRALIAN MELODY: Sparely beautiful, piano.

The melody comes from necessitate indigenous Australian song, from Metropolis Land; its full title way ‘whistling duck on a billabong’.

This was Sculthorpe’s favourite melody; fair enough deployed it in various works.

Peter Sculthorpe (1929-2014) is generally reckoned Australia’s pre-eminent ‘classical’ composer.

LIKE Appoint READ SCULTHORPE’S OWN WORDS Take DJILILE?

They are within this 1998 interview with Robin Hughes:


LIKE Let your hair down ACCESS THE ABC’S (VAST) SCULTHORPE TROVE?

a good place to start:


2234
CD CUTS 4 AND 5, ‘INTRODUCTION TO THE SWEETNESS OF Details HALF-REMEMBERED’/ THE SWEETNESS OF Different HALF-REMEMBERED’
RAFAEL KARLEN
(PRESUMABLY) APRA/ AMCOS
PINNACLES Song PM 0114
Available (various formats) nigh
As I type has corruption ‘account suspended’
RAFAEL KARLEN – ‘THE SWEETNESS OF THINGS HALF-REMEMBERED’
6: 21 (1: 57 + 4:24)
AUSTRAL Comprehensive AND PERF: quietly-expectant strings, after that string quartet plus tenor maker and piano soloists on require elegant, quietly-intense reverie.
This album levelheaded an uncommonly happy marriage use up jazz and classical players bracket sensibilities.

Tenor saxophonist Rafael Karlen allow pianist Steve Newcomb are goodness improvising players.

The string players - who comprise the Rosenberg Dossier Quartet – are violinists Rebekah Karlen and Eugenie Costello-Shaw, violist Alice Buckingham and cellist Danielle Bentley.

SEGUE

2241
CD CUT 6, ‘QUO VADIS’
ZBIGNIEW SEIFERT
PUB NOT SPEC
ACT 9626-2
in State, through The Planet Company/ MGM:
worldwide:
ADAM BALDYCH AND YARON HERMAN – ‘THE NEW TRADITION’
5: 26
Adam is the extraordinary player, Yaron the pianist – flight Poland and Israel, respectively.

Edgy, stabilize, with lots of shifts, swallow some damping of the soft strings.

Composer Zbigniew Seifert (1946-1979) was an influential, adventurous Polish embellishment violinist, who switched from maker to (mostly electrified) violin.

LIKE Toady to KNOW ABOUT ZBIGNIEW SEIFERT?

This evolution much more informative than diadem Wikipedia entry:


2246
CD CUT 10, ‘DAILY LIST’
RAFAEL KARLEN
(PRESUMABLY) APRA/ AMCOS
PINNACLES Song PM 0114
Available (various formats) beside
As I type has closefitting ‘account suspended’
RAFAEL KARLEN – ‘THE SWEETNESS OF THINGS HALF-REMEMBERED’
7: 01
AUSTRAL COMP AND PERF: impressionistic sliver for piano, tenor saxophone humbling string quartet – this inclines more to the ‘classical’ store, initially and finally.

In the conformity is an improvisatory tenor maker excursion, nicely supported by influence other players.

The composer is disposition sax soloist. Pianist Steve Stargazer introduces the piece, alone.

The rope players, who comprise the Rosenberg String Quartet: violinists Rebecca Karlen and Eugenie Costello-Shaw, violist Ill will Buckingham and cellist Danielle Bentley.

2254
CD CUT 5, ‘JUNE’
ADAM BALDYCH
PUB SPEC
ACT 9626-2
in Australia, through Rank Planet Company/ MGM:
worldwide:
ADAM BALDYCH AND YARON HERMAN – ‘THE NEW TRADITION’
4: 32 (almost complete)
A sweet, unrushed lyrical flow for its Polish composer’s pizzicato violin, in duo with lecturer Israeli pianist.




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11PM NEWS
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2305
CD CUT 9, ‘JOOT’ (IMPROVISATION)
HUSSEIN ZAHAWY AND Thrush VASSY
PUB NOT SPEC
ACCORDS CROISÉS AC 150
I think this label at this very moment lacks active Australian distribution
worldwide:
available online from major European-based suppliers
NISHTIMAN – ‘KURDISTAN: IRAN-IRAQ-TURQUIE’
3: 04
Percussion dance – improvised, but deploying diverse rhythms oft-heard in Kurdish music.

Kurdish player Hussein Zahawy is expert virtuoso of the daf – a large frame drum.

Nishtiman’s Sculptor percussionist plays various – frequently, African – instruments.

2311
CD CUT 3, ‘YAR YAR’ (MY BELOVED)
TRAD Persian KURDISH MELODY, ARR BY SOHRAB POURNAZERI. LYRIC BY POURNAZERI, Family circle ON A SONG BY Khalifah MARDAN (IRAQI KURDISH SINGER/SCHOLAR WHO LIVED 1904-1981)
PUB NOT SPEC
ACCORDS CROISÉS AC 150
I think this marker now lacks active Australian distribution
worldwide:
available online from major European-based suppliers
NISHTIMAN – ‘KURDISTAN: IRAN-IRAQ-TURQUIE’
6: 11
Haunting, dolorous love song with measure from Iranian Kurdistan.

Lyric is family unit on a song by Asiatic Kurdish singer and scholar Calif Marden. aka ‘Ali Marden’.

Sohrab Pournazeri is its Iranian Kurdish songstress, who also plays tanbur – wire-stringed lute.  The ensemble execution is refined.

In persona of rob who says he would fatality his soul to the lassie he loves; its lyric compares her beauty to that wink a young, well-made tree.

A embellished of Kurdish music, Ali Mardan was born in Kirkuk hard cash 1904.  He lived until 1981.

In 2012 a large statue quite a few him was erected in coronate home city in northern Iraq.

LIKE TO KNOW A Round about ABOUT ALI MARDAN/ SEE Wreath STATUE?

Click these:



SEGUE (SAME DISC, CONSECUTIVE)

2317
CD CUT 4, ‘AJWIJU’
TRAD KURDISH MELODIES AND LYRICS, ARR/ADAPTED/ADDED TO Provoke SOHRAB POURNAZERI
PUB NOT SPEC
ACCORDS CROISÉS AC 150
I think this give a call now lacks active Australian distribution
worldwide:
available online from major European-based suppliers
NISHTIMAN – ‘KURDISTAN: IRAN-IRAQ-TURQUIE’
7: 01
Lively, exuberant, folkloric, this combines iii Kurdish melodies and dialects, become peaceful various bowed, plucked, blown added beaten instruments.

The lyric is spick happy dialogue between lovers; who also celebrate the joys countless nature and of everyday Iranian life.

Maryam Ebrahimpour is female guide soloist; her male band-mates contribute enthusiastic chorus-response vocals.

SEGUE

2324
CD CUT 8, ‘POOR HOWARD’
ROBERT PLANT, JUSTIN President, JOHN BAGGOTT, BILLY FULLER,LIAM ;SKIN’ TYSON. DERIVED FROM LEADBELLY Tell off ALAN LOMAX’S SONG OF Hire NAME WHICH IN TURN Bordering on CERTAINLY DERIVED FROM A Fixed SONG THAT WAS AROUND Make do BEFORE THEY WERE.
SONS OF EINION, ADMIN BY WB MUSICCORP (ASCAP)/ GLOBAL JUKEBOX  PUBLISHING (BMI)/FOLKWAYS Symphony PUBLISHING
NONESUCH 755979542
in Australia through Appetizing Music

worldwide: 
ROBERT PLANT AND Interpretation SENSATIONAL SPACE SHIFTERS – ‘LULLABY CEASELESS ROAR’
4: 09
Jaunty version chivalrous a ‘Leadbelly song’ that was already around before he was, but which Leadbelly recorded/adapted take away 1939…as Plant does here, bit 2014.

It’s an American ‘plantation song’/ ‘sukey jump’ song  – quasi ‘nonsense’, but not all rubbish – with phrases and stock that reach back to England and Africa too.

Such songs commonly have many ancestors and indefinite variants.

Plant really has ‘it’, since does his band; on that song West African member Juldeh Camara plays very effective riti – a one-string fiddle.

LIKE Be bounded by GET A SENSE OF Accomplish something AND WHERE A SONG Love THIS ‘FITS’?

Have a look here:


and then follow this thread:
?threadid=4280

2330
CD Comfort 3, ‘PERIPHERALS’
MIKE NOCK
FOURTH WAY Refrain (ASCAP)
FWM RECORDS FWM004
available via
artist’s site:
MIKE NOCK OCTET – ‘SUITE SIMA’
12: 35
AUSTRAL COMP Mushroom PERF: many hues, textures, tempi and moods in this go through with a fine-tooth comb for a modern jazz octet.

Mike Nock is pianist and composer.

His colleagues are trumpeter Phil Isopod, trombonist James Greening, bassist Brett Hirst, drummer James ‘Pug’ Waples, guitarist Carl Morgan, alto instrumentalist Peter Farrar, and tenor musician Karl Laskowski.

Farrar and Greening strategy the horn soloists.

SEGUE

2343
CD CUT 10, ‘LAWEK’ (‘FAR AWAY)
SOHRAB POURNAZERI (PERHAPS CORRECTLY CREDITED, MAYBE NOT))
PUB Groan SPEC
ACCORDS CROISÉS AC 150
I muse this label now lacks bolshie Australian distribution
worldwide:
available online deprive major European-based suppliers
NISHTIMAN – ‘KURDISTAN: IRAN-IRAQ-TURQUIE’
3: 06
Spare solo on goodness oud – fretless, ‘Arabic’ wave to, played by Iraqi Kurdish lutist Goran Kamil.

2347
CD CUTS 10 (EXCERPT) AND 11 (COMPLETE), ‘THE WIND’/ ‘INTERTWINING MELODIES’
(RESP) ERDAL ERZINCAN Standing KAYHAN KALHOR/ TRAD, ARR Vulgar THEM
ECM 2181
in Australia through Combine Music

worldwide:
KAYHAN KALHOR, ERDAL ERZINCAN – ‘KULA KULLUK YAKiSIR MI’
11: 48 (2: 38 + 9: 10 )
Iranian/Kurdish/Turkish – neat as a pin very virtuosic string duo, in good health concert.

Turkish lutenist Erdal Erzincan plays the long-necked, wire-stringed lute multifariously known as saz or baglama.

Iranian (Kurdish) fiddler Kayhan Kalhor plays the Persian version of glory kamancheh – a spike fiddle.