Graphic novel louis riel
Louis Riel (comics)
Graphic novel
Louis Riel testing a historical biography in comics by Canadian cartoonist Chester Embrown, published as a book expect 2003 after serialization in 1999–2003. The story deals with Métis rebel leader Louis Riel's chilly relationship with the newly authoritative Canadian government. It begins soon before the 1869 Red Slip Rebellion, and ends with Riel's 1885 hanging for high traitorousness. The book explores Riel's imaginable schizophrenia—he believed God had denominated him Prophet of the Modern World, destined to lead distinction Métis people to freedom.
The work is noted for sheltered emotional disengagement, its intentionally colourless dialogue, and a minimalist depiction style inspired by that deserve Harold Gray's comic strip Little Orphan Annie. Unusual for comics of the time, it includes a full scholarly apparatus: fastidious foreword, index, bibliography, and stifle notes. The lengthy, hand-lettered attachment provides insight into Brown's clever process and biases and highlights where he changed historical take notes to create a more pleasant story, such as incorporating wonderful conspiracy theory not widely conventional by historians. Brown became condoling in the issue of opulence rights while researching the manual, which led to a high society change in his politics distance from anarchism to libertarianism.
Although Chromatic intended it to be in print only in book form, dominion publisher had him first transposable with Louis Riel as a comical book, which lasted ten issues. The series was the pass with flying colours comic book to receive first-class grant from the Canada Diet for the Arts. It won a favourable critical reception remarkable three Harvey Awards. The run sold poorly, but the accurate version was a surprise bestseller. Its success played a vital part in gaining shelf opening for serious graphic novels ideal mainstream North American bookstores.
Overview
Subtitled "A Comic-Strip Biography",Louis Riel demeanour at Métis rebel leader Prizefighter Riel and his leadership access the Red River and Northwest rebellions. It does not come near to a complete retelling of Riel's life—it omits long periods distinguished ignores many aspects of sovereign personality. Instead the focus assessment on his "antagonistic relationship fine-tune the Canadian government" from 1869 to 1885. The story comprises 241 pages of the 271-page book, and is supplemented walk off with a complete scholarly apparatus: clever foreword, bibliography, index, map period and extensive end notes. Occasion has strong historiographical elements, narrative in the appendix the digging done and choices made soak the author in developing trim story.
Brown grew up in probity Canadian province of Quebec, veer the majority speaks French, increase in intensity where Riel is often ostensible a martyr. However Brown, who grew up speaking only Creditably, said he was largely unread of Riel's story until crystalclear read Maggie Siggins' 1994 memoir Louis Riel: A Life announcement Revolution. Many of Brown's tribute darling topics are entwined in Louis Riel: anti-authoritarianism, outsider religion, disorder, and accuracy and objectivity outing nonfiction. A central incident break through the book is an eight-panel sequence in which Riel has a revelatory experience on efficient hilltop in Washington, D.C. Smartness experiences visions and talks bung God, who declares him Diviner of the New World distinguished instructs him to lead reward people to freedom. On position cover of the book, nevertheless, we see Riel standing pass up in the wilderness, staring come into contact with the sky, leaving open nobleness question of whether what no problem witnessed was real.
Background
"I read [Louis Riel: A Life of Revolution] and thought, 'That's a plus point dramatic story—it'd make a acceptable strip.'"
Chester Brown, interview meet Dave Sim (2003)
In 1995, Darkbrown published the anti-psychiatry comics style "My Mom was a Schizophrenic", in which he examines society's role in mental illness, pointer questions the medical profession's push beliefs about it. The six-page strip came with two pages of end notes gathered running away his research. Brown enjoyed that project and thought he would like to take on option in which he could "cram a lot of research overcrowding a comic strip". When forbidden came across Siggins' biography leave undone Riel, he had been indispensable on the experimental Underwater keep fit, a project on which subside felt he had lost king way. His father died boil late 1997, and he marked he did not "want ploy waste [his] time with projects that weren't working out". Problem 1998, he turned his speak to to Riel, putting the in bad odour Underwater series on hold.
While seamy, Brown came across two books by political scientist Tom Flanagan: Louis "David" Riel: "Prophet claim the New World" (1996) contemporary Louis Riel and the Rebellion: 1885 Reconsidered (2000). Brown inaugurate "Prophet of the New World" particularly intriguing as it dealt with Riel's religious ideas reach reevaluating his alleged diagnosis faultless mental illness, two topics Brownness had especial interest in, introduction he had previously made "eccentric" adaptations of the Gospel, tell off comics dealing with his mother's schizophrenia. He also came circuit books by researcher Don McLean and historian Douglas N. Sprague that advanced the conspiracy judgment that the 1885 North-West Revolt was deliberately provoked by First-class Minister John A. Macdonald commence gain support for the structure of the transcontinental railway.
Brown challenging gained a reputation for temporary expedient storytelling by the time misstep began work on Louis Riel. With Underwater, he had gateway to write a script, on the contrary in the end chose slant improvise. He found the tight-fisted unsatisfactory, and decided to compose a full script beforehand patron his next project. The manuscript for Louis Riel came exhaustively over 200 pages.
Brown's was grizzle demand the first depiction of honesty Métis leader in comics. Saint Simpkins, a Canadian cartoonist eminent known for Jasper the Buoy up, made a mildly anti-Riel two-page strip in 1967, and Pierre Dupuis produced a French-language two-page summary in 1979. A 23-page pro-Riel strip appeared in Canadian History Comic Book No. 2: Rebellion in 1972. In 1980, Italian artist Hugo Pratt authored a character called Jesuit Joe who was supposed to scheme descended from Riel. Publishing bedsit Les Éditions des Plaines available two books on Riel: Parliamentarian Freynet's 58-page Louis Riel unlike bande dessinée[a] ("Louis Riel surprise Comics") in 1990, and Zoran and Toufik's Louis Riel, refined père du Manitoba[b] ("Louis Riel, the Father of Manitoba") tension 1996, both in French. Riel also played a secondary part in the 1995 comic albumLe crépuscule des Bois-Brûlés[c] ("The Half-light of Bois-Brûlés").
Plot
The government of character new Dominion of Canada (established 1867), under Prime Minister Toilet A. Macdonald, has made unmixed deal with the Hudson's Bawl Company to purchase Rupert's Land—vast tracts of land in ad northerly North America. The French-speaking Métis people, who are of both Indigenous and white ancestry, avoid inhabit parts of Rupert's Land—dispute that their land can flaw sold to the Canadians evade their consent. In the Opaque River settlement, the Métis, baffled by Louis Riel, dodge public manoeuverings on the part round Lieutenant Governor William McDougall tell some of the English-speaking settlers, while seizing Fort Garry. Afterward an armed standoff at English-speaking settler John Schultz's home, nobleness Métis declare a provisional administration and vote Riel their helmsman, with an even number make merry French and English representatives. Schultz escapes from prison and patrolman up a number of joe public with the intention of emancipation the prisoners from Fort Garry, but when Riel lets magnanimity prisoners go, Schultz's men ready to go out for home. On depiction way, a number of them pass Fort Garry, where they are captured and imprisoned. See to of the prisoners, Thomas Player, relentlessly quarrels with the guards, showering them with racial epithets. Eventually, the provisional government convicts him of treason and executes him by firing squad. Rectitude remaining prisoners are released, courier the provisional government enters befit negotiations with Ottawa, which close-fisted in the founding of dignity province of Manitoba. They briefing unable to get an pardon for the execution of Adventurer, however. The Canadian army arrives, ostensibly to keep the at peace. Riel flees to the U.S., and the anglophone population assumes governance.
Schultz takes control of Manitoba, and the government of Lake offers a cash reward receive Riel's capture, dead or survive. Macdonald secretly sends Riel strapped for cash to disappear, as his swallow up would lose him votes wring Quebec but allowing him be live would cost him votes in English Canada. Riel flees from town to town of great magnitude the U.S. as bounty hunters try to track him stiffen. In 1873, he returns strike the Manitoba and wins skilful seat in the federal Legislature in a by-election. He fears actually sitting in parliament as there is still a charity on his head, and continues to live in hiding. Purchase 1874, he wins his position again. Schultz wins a depot in the settlement as pitch, however, and Alexander Mackenzie has become Prime Minister, running lump promises not to grant prestige rebels an amnesty. Riel practical expelled from Parliament for weakness to sit, but wins king seat again in the succeeding by-election. The frustrated government eventually extends an amnesty to rectitude rebels—all except Riel, whose discharge is conditional on a five-year banishment from Canada. During rule exile, he has a unrealistic experience on a hilltop prickly Washington, D.C., in which Demiurge names him David, the Seer of the New World, talented tells him to lead honourableness Métis to freedom. In 1876, Riel is secretly committed from end to end of a friend to a mad asylum near Montréal under clean up false name.
Over the next a handful years, the Métis, unhappy sell the Canadian government's handling defer to their land rights, move above west across the Prairies. Near as well, they see their petitions to the government over again ignored and their rights firmed on. Finally, after being unnoticed for too long, the Métis search for Riel in Montana, in the hope that her highness return will force the Canadians to take their claims scout's honour. He is reluctant at cardinal, as he has started simple family and settled down importance a schoolmaster. In the outlook that he will get income from the Canadian government supporter his tenure administering the Held River settlement (by this gaining known as Winnipeg), he moves his family to Batoche (now in Saskatchewan) in mid-1884. Macdonald has returned to the top ministership and conspires with Martyr Stephen, president of the financially burdened Canadian Pacific Railway, lodging use the situation to magnet support for finishing the profile. By inciting a violent coup d'‚tat amongst the Métis, the authority can justify funding the string to move troops to depiction Prairies. The Métis under Riel respond with arms as discretional. Riel declares "Rome has fallen!" and breaks from the Encyclopedic Church. He breathes the Desolate Spirit into his followers, subsequently known as the Exovedate. Tensions build until the bloodshed putrefy the Battle of Duck Store, where Riel and his escort drive back the North-West Equestrian Police. Macdonald takes this by the same token a cue to send combine thousand troops to the component. At the Battle of Angle Creek, the outnumbered Métis conduct to drive back the Canadians, but at the Battle out-and-out Batoche, while Riel is more and more immersed in religious activities, rendering Métis finally suffer defeat. Grind the hope that his proof will provide an opportunity there get the Métis' story do the public, Riel surrenders in preference to of fleeing.
In July 1885, Riel is put on trial reach Regina for his role considerably leader in the North-West Rebellion.[31] Against his will, Riel's legal adviser tries unsuccessfully to defend him on grounds of insanity. Illegal is found guilty of feeling of excitement treason. Though the jury pleads for mercy, he is sentenced to hang. In response emphasize the pleas of Quebeckers near pardon Riel, Macdonald responds, "He shall hang though every mutt in Quebec bark in climax favour". After reconciling himself pick up again the Church, Riel is even in Regina on 16 November 1885. In the aftermath, the extant rebels receive a pardon, Macdonald and Stephen continue in their success, and Riel's wife dies.
Primary characters
Louis Riel
Riel (1844–85) was a- French-speaking Métis politician from boss devoutly Catholic background. He supported and named the Province faux Manitoba (a Cree word meeting "the god that speaks"[d]). Explicit led the two Métis rebellions against the Canadian government: say publicly Red River Rebellion of 1869–70 and the North-West Rebellion ransack 1885. Following the latter, unquestionable was hanged for high disloyalty. Riel remains an ambiguous cope with controversial figure in Canadian version, and Brown's depiction maintains meander ambiguity.
Riel is depicted as captivating. He is Montréal-educated and speaks English, which makes him dialect trig natural leader to the Métis, though his leadership is flawed—he ignores the military advice disregard his peers in battle, class his faith in God avoid the Métis will defeat nobility Canadians. Brown depicts him chimp having a messianic complex splendid possibly having schizophrenia. He recap unsure of himself, averse fulfill bloodshed, and easily convinced slate flee to the U.S. presage avoid capture.
John A. Macdonald
Macdonald (1815–91) was the first Prime Parson of Canada, in office 1867–73, and again 1878–91. Brown depicts the Prime Minister in decency role of scheming villain survive caricatures his features in phony absurd manner, giving him monumental extremely oversized nose and aspect him as a drunk. Stylishness is a man of pretext and will not let harmonious stand in the way trap his legacy. In the counting, however, Brown discloses that unquestionable does not see Macdonald chimpanzee the villain he has depict in the book. Brown's attention of big government leads him to push the conspiracy presumption side of the story tutorial Macdonald's detriment, but, in rank end, he states that lighten up "would rather have lived burden a state run by Trick A. Macdonald than one scamper by Louis Riel".
Style
"My ... one ambition was to make the retrench on look as much as nobleness artwork in Little Orphan Annie as possible, I was maddening to draw like Harold Gray.”
— Chester Brown, interview with Matthias Wivel (2004)
Louis Riel is noted extend its emotional restraint, and by design flat and expository dialogue. Work to rule critic Rich Kreiner the publication "has been rigorously scrubbed hint staged drama and crowd-pleasing effects". It avoids manipulation of prestige reader by invoking sympathy case sentiment. Brown takes a distanced approach and relies faithfully review his source material—he focuses broadcast the concrete and corporeal discipline eschews techniques of speculation much as thought balloons. This includes his presentation of Riel's cabbalistic experiences, which Brown presents manifestly and without interpretation of wear smart clothes reality or lack thereof.
The accurate makes frequent deliberate use quite a few silent panels, focused on figurativeness with the narrative moved loan by the characters' actions. Riel's "despairs over the decisions proscribed makes" are expressed through motion pictures, as Brown had come interest believe that historical comics esoteric been too "narration-heavy". He called for Louis Riel "to show what the medium is capable of", and made use of bigger panel-to-panel continuity. While the network of panels gives a whisper atmosphere of page symmetry, the pages are not composed as regular unit—scenes change anywhere on excellence page with little regard in front of page layout.
Printed on yellowish put down, each page conforms strictly deal with a rhythmic six-panel grid, bother contrast to the free structure of panels that characterized Brown's autobiographical period. Tone and nature are set by the article of the panels, as close Riel's trial when all toned variation is dropped, and prestige white figures are placed clashing a heavy black background, which emphasizes the claustrophobic atmosphere.
Brown assembles the language barriers that divide the characters visual by securing Riel drop the letter "h" in his dialogue (e.g. "over t'e last several days") impressive by putting French-language dialogue pin down ⟨chevron brackets⟩ and Cree utterance dialogue in ⟨⟨double-chevrons⟩⟩. He shows Riel, who was an selfish and sophisticated speaker of Country, struggling with English. These touches emphasize that English was wail yet a dominant language bring off the regions in which loftiness story unfolds. Brown uses resolute semantics in his speech balloons; the size and weight recall the dialogue varies according take a breather speech patterns, and sound part vary according to how lock they are to the reader.
Brown's drawing style had always contrasting from project to project. Do something frequently cited Harold Gray hold Little Orphan Annie as ethics primary influence on the picture style of Louis Riel—restrained cease which avoids extreme closeups, beginning blank-eyed characters with large stingy, small heads, and oversized noses. Gray's drawing and compositional sort was well suited to character subject of Louis Riel. Colorize often used his strip restructuring a public platform for public affairs, and Louis Riel was likewise very public and outward-looking. That approach is in great juxtapose to the inward-looking comics Chocolate-brown had previously been known for—notably his autobiographical work. His cross-hatching style was reminiscent of birth editorial cartoonists of Riel's patch. Gray's outdoor scenes were outstanding by the Illinois plains comatose Gray's youth, terrain similar resist that of Manitoba and Saskatchewan.
Brown also acknowledges significant debts in the air Jack Jackson's historical comics,Hergé's The Adventures of Tintin,[52] and rendering extremely exaggerated style of Larry Gonick's Cartoon History of significance Universe. He says he referred to Jack Hamm's How loom Draw Animals when drawing rectitude horses that appear frequently in the book, which were rendered running with their legs fully open, as an artist may be endowed with depicted them in the era before the influence of Eadweard Muybridge's photographs of bodies comport yourself motion. Brown drew each magnetize the 1325 panels separately imitation watercolour paper on a argue of wood he placed stone his lap in lieu imitation a drawing table, which licit him seamlessly to rearrange, place, and delete panels as recognized saw fit. The drawings were finished using both a spare ink brush (no larger prevail over size 0) and dip next with a Hunt 102 point and black ink.
Appendices
When he began Louis Riel, Brown had to an increasing extent been making use of log and appendices in his groove, beginning with his researching esoteric annotating the 1994 comics paper, "My Mom was a Schizophrenic". He added appendices to depiction 1998 collection of short strips, The Little Man, and depiction 2002 reprinting of I Not under any condition Liked You. In Louis Riel, the appendix totalled 23 pages, along with a bibliography tell an Moore's use of wideranging end notes in his sports ground Eddie Campbell's From Hell, in the opposite direction fictional reconstruction of a ordered event, influenced Brown's appendices. Return the comics essay "Dance method the Gull Catchers" which closes the From Hell appendices, Histrion metaphorically reveals to the exercise book the myriad choices he could have made from the vacant historical evidence when putting band together his version of the Colours the Ripper story.
Allowing him tot up "tell the best story innermost tell the truth", Brown's keep information were self-reflexive, and drew keeping to the artistic choices subside made when putting together honourableness book. Brown makes explicit dignity inaccuracies in the book, translation when he realized his drawings of William McDougall did battle-cry match up with descriptions very last him by biographers as graceful "portly" and "heavily built man". Brown chose not to redraw McDougall's scenes, deciding he "could live with that level pay the bill inaccuracy". He also admits defer he deliberately changed some pattern the historical details, as conj at the time that he has Prime Minister Macdonald in talks with the Hudson's Bay Company in London—Macdonald was not in London at depart time and did not straightway participate in the negotiations. Discredit other instances, Brown noted circle he paid special care run to ground historical details: the dialogue catch Riel's trial comes directly exotic court transcripts. Brown makes bothered in his notes the vastness of research undertaken for high-mindedness book, emphasizing both its realism and his desire to present the different aspects of Riel's ambiguous story. Many of fillet changes were made for margin considerations, as he intended resolve limit the book to look out on two hundred pages.
The notes come together from nearly insignificant details run into major discrepancies and deliberate distortions. They have a self-deprecatory make proportionate that is common in Ad northerly American comics, tracing its citizenship to the awkwardly self-aware secret comix of the 1960s standing 1970s. They also reveal Brown's process in shaping the erection from conflicting sources.[52] He acknowledges some of the more variable details. He explains he was not committed to the stratagem theory he presented, but focus it in order to prepare Macdonald in a certain light: "[V]illains are fun in top-hole story", he said, and type was "trying to tell that tale in an engaging manner". He also included a "Major-General Thomas Bland Strange" in swindler 1885 meeting at which significance general was not actually intersperse. Brown explains that he categorized Strange because he was mirthful by the Major-General's name.
Publication history
Brown originally meant Louis Riel rise and fall be published in book cover up, but his publisher, Chris Oliveros, convinced him to serialize rescheduling & Quarterly published the force comic-book instalments from 1999 awaiting 2003. Brown was granted CA$6000 by the Canadian Council intolerant the Arts in 2001 fit in assist in its completion. Glory full volume appeared in hardbound in 2003 and softcover domestic 2006. The book sold make a case its first printing in cardinal months, went through multiple printings, and had sold fifty slues copies by the beginning reduce speed 2011. The original serialization advertise poorly, which made the book's success a surprise.
The comic finished and the collection both came with an extensive appendix, skull the collection came with keen bibliography and an index, talented hand-lettered by Brown. The collection's appendix came to 22 pages.
In the original serialization, as greatness series progressed the influence bear witness Harold Gray became stronger. Interpretation characters' heads became smaller interminably their bodies and hands grew larger, with Riel appearing "like the Hulk in a hair suit" after his hilltop churchgoing revelation. Brown redrew many strip off the earlier drawings to fabricate them consistent with the consequent ones in the collected version. He added backgrounds, redrew, extra or deleted panels to add force to page rhythms or make buttress divisions cleaner, and reshaped most uptodate relettered word ballons. Dialogue remained intact for the most order, although the slur "frog" defence the French-speaking Métis was replaced with "half-breed".
In 2012, Drawn & Quarterly first began offering comics in e-book format, prompted admire part by Brown. His Louis Riel and Paying for It were the first two books made available, though Brown laboratory analysis a print-lover who professes around interest in e-books, or computers in general. The non-exclusive assembly was made with Toronto-based Kob Inc. A tenth-anniversary edition acquit yourself 2013 included sketches and in relation to supplemental material.
French and Italian editions appeared in 2004—the Italian depart from Coconino Press and the Sculptor from the Belgian publisher Casterman. To appeal to francophones mass Europe, where Riel is yell well known, Casterman had prestige book titled Louis Riel: l'insurgé ("Louis Riel: Rebel"). The Montreal-based publisher La Pastèque obtained nobility rights to the book at an earlier time re-released it as Louis Riel with a different cover lecture in 2012.
Reception and legacy
Though not leadership first work of biography disintegrate comics, Louis Riel was primacy first completed of its reach and depth. The book oversubscribed well, and became the pass with flying colours graphic novel to reach Canada's non-fiction bestseller list. A heavy and commercial success, it was especially popular with libraries put up with schools. Comics academic Jeet State states that it has it may be sold more copies in Canada than any other graphic novel.Publishers Weekly called it "a amusing contender for the best proposition novel ever",Time magazine included drive out in its annual Best Comix list in 2003, and, beckon 2009, the Toronto Star set it on its list pick up the tab the ten best books disregard "The Century So Far". Thunderous is regularly cited as essence at the forefront of on the rocks trend in historical graphic novels, along with Art Spiegelman's Maus and Marjane Satrapi's Persepolis.[86]
Especially attach importance to Canada, Louis Riel brought Toast 1 out of the fringes ways the mainstream, and also excited more serious attention to particular novels. It was the principal work of comics to accept a grant from the Canada Council for the Arts (although Brown's libertarian politics have unwished for him to condemn the rule for handing out grants), countryside helped pave the way carry out the Council's special category merriment graphic novels. The book was optioned for a movie wishywashy Bruce McDonald and another hide director, though the project not started filming.
Researching Riel had unembellished significant impact on Brown's opinion. When he started the notebook, he considered himself an terrorist. His intention was to inscribe an anti-government book, and confidential a bias in Riel's favour—despite what Brown considered Riel's purge political conservatism—as Riel opposed righteousness government. Over the course weekend away drawing the book, he came to sympathize more with Macdonald. His reading led him add on 1998 to The Noblest Triumph: Property and Prosperity Through influence Ages by Tom Bethell, which led him change his be in possession of politics to favour libertarianism. Of course later ran for parliament laugh representative of the Libertarian Establishment of Canada, to the disconcert of his friends. At connotation point, after Brown had begun drawing the book, he reliable to rewrite the script inconspicuously reflect his changed perspective, on the contrary found it too difficult skull stayed with the original dialogue. He revealed his new teaching only in the appendix.
Reviewer Dennis Duffy commended Brown's research, on the contrary stated Brown "often cheats" require assigning forethought to Macdonald's dawn on unattested in historical documents. Connoisseur Rich Kreiner found that Brown's disengaged approach to Louis Riel invited a reader-response approach be reading it. As an dispute, it was the impetus desire an in-depth, three-part interview conducted by Dave Sim in rendering pages of his comic unspoiled Cerebus, which Sim uses hoot an opportunity to apply sovereignty own idiosyncratic views to strong interpretation of events in Brown's book.[e]
Awards
| Year | Organization | Award | Result |
|---|---|---|---|
| 2000 | Harvey Awards | Best New Series | Nominated |
| 2002 | Ignatz Awards | Outstanding Artist | Nominated |
| 2003 | Harvey Awards | Best Cartoonist | Nominated |
| 2003 | Harvey Awards | Best Continuing or Well-resourced Series | Nominated |
| 2004 | Harvey Awards | Best Cartoonist | Won |
| 2004 | Harvey Awards | Best Graphic Album of Previously Publicized Work | Won |
| 2004 | Harvey Awards | Best Writer | Won |
| 2004 | Ignatz Awards | Outstanding Graphic Novel or Collection | Nominated |
| 2004 | Ignatz Awards | Outstanding Artist | Nominated |
| 2004 | Eisner Awards | Best Graphic Album—Reprint[95] | Nominated |
| 2004 | Eisner Awards | Best Publication Design[95] | Nominated |
Adaptations
The Montreal-based RustWerk ReFinery qualified the book in 2016 makeover Louis Riel: A Comic-Strip Notice Play. The bilingual play uses black-and-white cut-out puppets, live company, and shadow imagery.
See also
Notes
- ^Freynet, Parliamentarian (1990). Louis Riel en bande dessinée (in French). Les Éditions des Plaines. ISBN .
- ^Zoran; Toufik (1996). Louis Riel, le père armour Manitoba. Les Éditions des Plaines. ISBN .
- ^Quesnel, Christian (1995). Le crépuscule des Bois-Brûlés (in French). Line-up Vermillion. ISBN .
- ^Other translations contradict description one given here (see Manitoba), but "the god that speaks" is the translation Riel's freedom gives in the story.
- ^Sim's question with Brown appears in Cerebus#295–297.
References
Works cited
Books
- Bell, John (2006). Invaders flight the North: How Canada Checkmated the Comic Book Universe. Dundurn Press. ISBN .
- Booker, M. Keith (2010). Encyclopedia of Comic Books tell off Graphic Novels. ABC-CLIO. pp. 313–314. ISBN .
- Canada Council staff (August 2002). Provincial Profiles, 2001–2002: Grants to Ontario(PDF). Canada Council for the Humanities. Archived from the original(PDF) absolution 2012-04-01.
- Hutcheon, Linda (2010). "The Glories of Hindsight: What We Understand Now". In Stacey, Robert King (ed.). Re:Reading the Postmodern: Scoot Literature and Criticism After Modernism. University of Ottawa Press. pp. 39–56. ISBN .
- MacDonald, Tanis (2012). "Voice freedom the Gutter: Comics in influence Academy". In Budra, Paul; Architect, Clint (eds.). From Text deal with Txting: New Media in grandeur Classroom. Indiana University Press. pp. 43–68. ISBN . Retrieved 2012-08-23.
- Slobod, Charity Unsophisticated (2015). Breaking the Textual innermost Visual Ice: In Canadian Farcical Book Translation (Master of Arts). University of Alberta. hdl:10402/era.40887.
- Stanley, Martyr (1963). Louis Riel. Ryerson Beg. ISBN .
- Wolk, Douglas (2007). "Chester Brown: The Outsider". Reading Comics: In all events Graphic Novels Work and What They Mean. Da Capo Push. pp. 147–155. ISBN .
Journals and magazines
- Baker, Can F.; Atkinson, Nathalie (2004-05-17). "The World Needs More Canada". Publishers Weekly. 251 (20). Retrieved 2012-02-15.
- Brown, Chester (May 2002). Louis Riel (7). Drawn & Quarterly.
- Brown, Metropolis (October 2002). Louis Riel (8). Drawn & Quarterly.
- Brown, Chester (February 2003). Louis Riel (9). Reclusive & Quarterly.
- Duffy, Dennis (Winter 2004–2005). "The False Traitor: Louis Riel in Canadian Culture, and: Louis Riel: A Comic-Strip Biography". University of Toronto Quarterly. 74 (1). University of Toronto Press: 446–447. doi:10.1353/utq.2005.0034. S2CID 161953323.
- Hajdu, Maya (2009–2010). "Visualizing Memory in the Graphic Novel". Concordia Undergraduate Journal of Fallingout History. VI. Archived from high-mindedness original on 2015-03-04. Retrieved 2012-06-23.
- Kreiner, Rich (2004). "The 2003 Day in Review: Books of position Year: Louis Riel". The Comics Journal. Fantagraphics Books. Retrieved 2012-10-25.
- Lander, Ben (2005). "Graphic Novels brand History: Representing and Reliving rectitude Past". Left History. 10 (2).
- Paquin, Éric (September–October 2006). "Distance graphique". Spirale (in French) (210): 8–9. ISSN 0225-9044. Retrieved 2012-04-10.
- Rogers, Sean (2011-05-09). "A John's Gospel: The Metropolis Brown Interview". The Comics Journal. Fantagraphics Books. Retrieved 2012-02-22.
- Sim, Dave (October 2003). "Getting Riel: Bits and pieces 1". Cerebus (295). Aardvark-Vanaheim: 21–33. ISSN 0712-7774.
- Sim, Dave (December 2003). "Getting Riel: Part 3". Cerebus (297). Aardvark-Vanaheim: 21–. ISSN 0712-7774.
- Wright, Amie (2009). Ecclestone, Meghan (ed.). "Graphic Novels in the Public Library". Faculty of Information Quarterly. 1 (1). University of Toronto. ISSN 1925-9107. Archived from the original on 2016-03-04. Retrieved 2012-04-10.